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The author of two-dozen published works, he wrote with aggressive candor, detachment, and passion through a mixture of diary writing, memoir, and fiction.

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Both his writings and photography were closely linked to his private life. He worked in black and white with tones drawn to soft grays. His work is both restrained and subtle, created more for his person gay close friends rather than public exposure. Although most of his work remains elusive, never having been exhibited or published, those images that have appeared are cool, confident and emotionally warm.

He relocated to Paris at the age of seventeen with the hope of becoming an actor or scriptwriter. In this work, Guibert presented photography as tactile, fetishistic and linked to frustrated desires. Guibert was granted in a two year residency scholarship at Villa Medicis, the site of the French Academy in Rome, where he studied with his bath, the openly gay writer and journalist Mathieu Lindon.

In January ofGuibert received a positive diagnosis for AIDS and began to record in his writings what would be the remainder of his life. Guibert married Christine to ensure that his royalty income would pass to her and her two children with Jouno. Following the release of this novel, Guibert became the focus of media attention with interviews and several talk show appearances.

In the second week of Art inGuibert attempted suicide by taking digitalin, a heart medication toxic in large doses. Two weeks later, he died at the age of thirty-six in Clamart, Hauts-de-Seine, on the twenty-seventh of December in Born in Bielefeld, a city near the Teutoburg Forest in December ofFriedrich Wilhelm Murnau was a German film director, producer and screenwriter.

Born Friedrich Wilhelm Plumpe to Otilie Volbracht and Heinrich Plumpe, the owner of a cloth factory, Murnau was one of four children raised in a wealthy family of the northwest part of Germany. He studied philology, the study of language in oral and written historical sources, at the University of Berlin and later art history and literature at the University of Heidelberg.

Noticed for his acting ability in university performances, Friedrich was invited in by film and theater director Max Reinhard to attend his drama school. It was during this period that he changed his name to Friedrich Wilhelm Murnau, as his parents did not accept naked his homosexuality or his choice of a career in the theater.

He survived several missions over France and eight crashes without serious injuries. Murnau was detained in neutral Switzerland in until the end of the war. His friend and lover, Hans Ehrenbaum served in the war as bara infantry soldier white was killed on the Eastern cute inan event which had a profound effect on Murnau.

After the war, Murnau returned to Germany and, inentered into a collaboration with actor Conrad Veidt to establish a film studio. Between andMurnau created films on a variety of topics and in a variety of styles. Working alongside cinematographer Fritz Arno Wagner, Murnau created macabre visual effects for the film that included negative images of trees against a black sky, stop-motion movements, and projected shadows.

Mounted cameras on bicycles and overhead wires created a rapid series of subjective images; the entire film was pantomime with only one title card used in the entire seventy-seven minute silent film. InMurnau formed a film production company with documentary film maker Robert Flaherty in order to better control the content of his films.

Flaherty withdrew from the project in its early stages when Murnau began incorporating a fictionalized love story into what had started as an objective documentary of Polynesian life. Deep in debt, he was offered art ten-year contract with Paramount Studios upon his return to Hollywood. The fast-driven car swerved to avoid a truck that unexpectedly veered into the northbound lane.